Felix Chang is a Taiwanese choreographer based in Germany. He works with the body as an archive of physical and cultural memory, developing choreographic material through gesture articulation, extended breathing, and spinal and circular movement rooted in Chinese classical dance, contemporary dance, and Taoist philosophy.

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His choreographic works include Bodies in Transition (2026), WúXíng 無形 (2024), Wú | Yī 無壹 (2024), WúJìn 無盡 (2023) — inspired by the Classic of Mountains and Seas, exploring presence and how minimal movement shapes space — as well as If You Can See Me (2020, 2nd Prize, Pfefferberg Theater). His works have been presented at festivals including Tanzplattform Deutschland, Delta XIII Festival, Mittelyoung, Lucky Trimmer, Studio Round, and Sommerwerft. In 2024, he was commissioned to choreograph three productions for the Leipzig International Intercultural Music Festival.

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Chang has worked as a guest artist with the Salzburger Festspiele, Festspielhaus Baden-Baden, Staatstheater Darmstadt, and Staatstheater Wiesbaden, and has collaborated with artists and companies including Haptic Hide, SoBo Production, and Lawrence Malstaf, among others.

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He holds a Master's degree in Movement Research from Anton Bruckner Privatuniversität.

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"Felix Chang's choreography is based on Taiwanese temple rituals. The piercing screams of evident pain and the violent trembling of his body are visually powerful. Finding something of oneself within an exotic culture is an exhilarating experience."
– Dance Critic Heike Marx 

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"The chanting of scriptures blending seamlessly with the music, the fusion of dance and spirituality, and the ritualistic display of movement deeply interpret the message: 'If there’s an afterlife, we must meet again.'"
– Overseas Affairs Reporter Yi-Wen Cheng 

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"As a dancer, Felix Chang delivers an impressively remarkable performance, striving forward through the chains of newspapers, mainstream discourse, and the shackles of torture."
– Dance Critic Ralf - Carl Langhals